SKU: HL.4005031

UPC: 888680664374. 9.0x12.0x0.05 inches.

Composed by jazz pianist Chick Corea and recorded on his landmark 1973 album Light as a Feather, this vibrant work has solidified its standing as a jazz fusion classic. The lyrical and sensuous opening features a solo tenor sax, followed by a fast and energetic Latin pulse that features the melody traded between various sections of the band. Paul Murtha's exciting version is effectively crafted for the concert stage.

SKU: BT.MS0428

Spanish.

Este libro tiene como objetivo hacerle trabajar el control de los cuatros miembros en la bater a. En efecto, sólo con un perfecto control de sus miembros (manos y pies, derechos e izquierdos) el baterista puede tocar todo tipo de grooves, breaks o solos, en todos los estilos musicales. Y por tanto este trabajo resulta primordial… Dividido en dos partes, este método aborda tanto el control horizontal (superior e inferior) como el control vertical (izquierdo y derecho) que permiten vincular las manos y los pies y abordar con más facilidad los múltiples combinados r tmicos que le brinda la bater a. Pero en vez de encadenar un montón de ejercicios técnicos unos detrás de otros, sin verla finalidad musical, se ha privilegiado la práctica con un trabajo espec fico en unos grooves y unos breaks de todos los estilos. As cada parte empieza con los inevitables ejercicios de preparación, antes de encadenar con unas aplicaciones puramente musicales a tocar en unos playbacks. Para cada una de esas aplicaciones musicales, uno tiene cinco grabaciones diferentes en el CD MP3 adjunto, repartidas de la manera siguiente: la bater a sola en aire normal y luego más lento, la misma parte de bater a tocada ahora en su playback, y por último el playback solo, aqu también en aire normal y luego más lento… para que cada uno pueda aprender a tocar a su ritmo, según su nivel y sus capacidades. ¡Son casi 4 horas de música en total!

SKU: TM.13879SET

Sol/pf (1 piano-4 hands) red.

SKU: TM.13879SC

Sol/pf (1 piano-4 hands) red.

SKU: OT.23127

ISBN 9789655050721. 8.27 x 11.69 inches.

Bakashot are piyyutim (religious poems) which are sung late at night mostly on Sabbaths and holidays. These poems have many spiritual and mystical influences, and their origin is among the Sephardic Jews before the Expulsion from Spain. The singing of the bakashot was expanded during the 16th Century, particularly by the mystics in Safed, and appears also in the singing of the the maftirim among Turkish Jews.
These four miniatures for oboe solo are personal prayers written in the inspiration of the bakashot.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.